Monthly Archive for December, 2008

Musings on ‘Of Mice and Men’

‘The future is called “perhaps” which is the only possible thing to call the future. And the important thing is not to allow that to scare you.’ (Tennessee Williams)

Of Mice and Men is set in America during the economically depressed 1930s. It was a time of uncertainty about finance and investments, of instability in the employment market and of considerable hardship for many ordinary people (sound familiar yet?). The itinerant farm workers that Steinbeck writes about were forced to leave their homes and move from job to job and place to place in search of their ‘fifty bucks at the end of the month’.

As the Crescent prepares to mount a production of Of Mice and Men at a time of ever-deepening gloom about the economy, I’m wondering whether we are any more or less scared of our modern-day “perhapses” and whether we are any better equipped than Steinbeck’s characters to cope with them.

Many of the characters in the play have dreams for their futures; from movie stardom to just having a small farm of their own where nobody is able to ‘can’ them; in other words control of their own destiny. What would our attitude be to their dreams today? At work it seems that I am being asked to set targets/goals for myself or others on an almost daily basis. Our target-driven society would have been a mystery to Steinbeck’s characters – ‘What’s his average grain-bags-per-hour bucking rate?’ doesn’t quite ring true!

A modern-day ‘life coach’ might advise the characters to visualise themselves succeeding and achieving their dreams. Or perhaps they ought to set themselves a series of SMART targets to help them gradually move towards the future that they want? Spending time imagining or ‘visualising’ their dreams doesn’t seem to do the characters in OMAM much good. Indeed it only increases the pathos when their dreams are shattered one by one with varying degrees of brutality. The most content characters in the story (Slim, Whit, Carlson) are arguably those don’t aspire for more than what they’ve got.

Perhaps it is not the future itself that is scary but the act of daring to have a concrete dream for it. Wanting something (however simple) so badly can make you vulnerable to the pain of disappointment, as John Steinbeck’s choice of title suggests. The line is from Robert Burns’ poem To A Mouse, On Turning Up Her Nest With A Plough;

“The best-laid schemes o’ mice an ‘men

Gang aft agley, (Often go awry)

An’lea’e us nought but grief an’ pain,

For promis’d joy!”

So is it best to settle for your lot in life and take the future as it finds you, rather than try to shape it? Not a terribly motivating message to take from a story that I love dearly. I read an interview with Sigourney Weaver recently where she said “You don’t know the meaning of the word ‘vulnerable’ until you have children.” Perhaps our dreams for our futures, like those of George, Lennie et al, are a little like children. We nurture our dreams and worry about them not working out. But ultimately, fear of losing them (dreams or children!) doesn’t usually stop us having them in the first place. We share the biological urge to reproduce with mice but perhaps it is the desire to dream that makes us men.

Setting the Scene

The latest edition of the Crescent Theatre’s brochure crescentscene has now arrived. Issue 7, which details shows from January to April 2009, will soon be available at the theatre and be sent out to members of our mailing list.

If you would prefer not to wait until you receive your copy, you can download or view an online version here …

If you cannot see the brochure above, please use this direct link [pdf_icon 3.9Mb].

Directors Appointed

I’m pleased to announce that the following directors were appointed at this week’s board meeting:

THE RIVALS: Ian Nicholson

BY THE BOG OF CATS: Gerry Lucas

THE GOVERNMENT INSPECTOR: Juliette Walton

IRON: Thom Sellwood

As yet there has been no appointment made for either KISS OF THE SPIDERWOMAN or THE TAMING OF THE SHREW so there is still an opportunity here. If you’re interested please get in touch via the usual routes.

I’m sure each of the above directors will be publishing information soon about their productions including details of how to get involved!

Dressing-the-Pooh

A couple of days ago, DannyV posed the question about our forthcoming show Winnie-the-Pooh, “Is it full costume, as in like, a bear costume for pooh etc., no costume, or semi costume?” And it seems to be the case that the answer right now is… we don’t know yet!

More specifically, the issue of costumes for Pooh is proving to be as much of a creative process as the rehearsals and other aspects of the production. So, all manner of experiments are taking place trying to find that best combination of matching the characters and their personalities, and also contributing to the show’s overall mise en scène.

And as these recent pictures show (note how different Pooh looks in each, for example), it’s not just the costumes that need to be considered, but also the make-up that’s currently being experimented with as well…

So, to answer the original question more properly, things are still ongoing regarding costumes and make-up, with all to be revealed in January. For now though, rest assured that if these aspects match the high level of confidence currently surrounding the production, then how the characters look will be one more brilliant aspect of what is sure to be a great show!

Sunday, busy Sunday

It was a very busy Sunday today at The Crescent (and in fact it probably still is as I write!).

Two plays have been rehearsing (Winnie-the-Pooh and Of Mice and Men), while the three plays in the terrorism mini-season held their joint familiarisation session and first round of auditions.

This evening King Pleasure and the Biscuit Boys were playing live in the main house while the Youth Theatre Juniors performed a very special selection of sketches to family and friends in the Ron Barber Studio. I was delighted to sit in on the latter which – as ever with the youth theatre – was a great celebration of theatre and entertainment.

Meanwhile, of course, off site The Wassail has been performing at Coughton Court.

It’s days like today (busy, stimulating, exciting, creative) that make me really appreciate what we have at The Crescent. A big thank you to everyone!

Oh, and don’t forget today’s weren’t the only auditions for The Bus, Terrorism and Talking to Terrorists; check the page on our main site for further details.

Pooh Toon

It’s not just the singers of the Wassail who are busily making music – Pooh and his chums are getting in on the act too! Courtesy of the absurdly-talented Brendan Stanley, our forthcoming children’s Christmas show will play host to a whole suite of tunes which he has composed especially for the production.

You can hear the delightful song Little Cloud here…

Little Cloud by Brendan Stanley

To listen to some other tunes from the show, you can visit the album’s profile page on iLike.

It’s officially Wassail Season

After what seems like months of hard rehearsing the first Wassail is upon us!  First show tonight at Highbury Hall in Kings Heath..but are we ready?  H*ll yes!

Traffic pile ups, and the Kings of Leon conspired and failed to keep the cast away from the theatre last night for the second dress rehearsal.  Everyone eventually negotiated the Broad Street car park and settled in for what we had been warned might be a ‘long night’.  
Despite a scarily significant minority of the cast looking rather red nosed and sounding a wee bit snuffly there was full attendance.  Everyone in the whole world seems to have cold at the moment and so Gary requested that we all stay well.  Sue Lowe, one of the doctors in the cast has helpfully circulated a guide to staying well that acknowledges that avoiding all infected and potentially infected people is difficult when several of them sit within sneezing distance of you in the choir.  Its just one of the many bonus’ of the Crescent that in any disaster there is always someone to call upon to sort it out – and another bonus of being in a choir of 32 sitting closely together is that there is always someone nearby who has the cold virus you missed the first time round.
Gary, Gerry and Craig gave us a little pep talk about what the Wassail looks and sounds like from the audience perspective if we don’t toe the party line .  Its good to be reminded of what people have paid to see.  We pondered how easy no shuffling, snuffling, rifling and scratching (!) was going to be and then suddenly, before we could complete one final fidget we were off into a run through

This programme is fantastic.  We have poignant, funny, tragic, hilarious – and that is just Gary’s conducting.  No, really, the programme is fantastic.  Gerry (one of the directors) has been unwell unfortunately and has had to drop out from the cast.  Consequently last night was the first time he has seen the show in its entirety and he was suitably impressed.  We also had Pat Dixon in our select audience, who was the previous Wassail director.  No pressure then.  Right from the start I felt Christmassy.  The cast have a great energy about them, a sense of really enjoying the music and readings.  The energy of a dress can only improve with a real live audience in front of us and so I know we are in for a good year.  The pace is great,  it wasn’t a long night after all.

Its not ALL about mince pies – we do readings and singing too

 

I am thrilled to be part of the cast.  I think we have raised our game yet again.  I wont spoil the programme for you but I urge you if you have no ticket to get one (there are still a few left for the matinee on Sunday 21 December at the Crescent Theatre).   You will emerge slightly fuller in the mulled wine and mince pies department and a whole lot fuller in Christmas spirit department.  Ah go on, you wont regret it.

Wassailing Away

The Crescent’s Christmas Wassail always sells out and so gets very little spent on it in terms of marketing. Whether at the theatre or at the many touring venues around the region, no posters, no flyers and no big PR push are necessary as Wassail’s proud reputation combines with word-of-mouth to send tickets flying out of the Box Office as soon as dates are announced.

Because of this, many people assume that by the time December comes, there’s no point trying for tickets to the theatre’s annual gala of festive music and wit. But with a recently announced extra date, there remain a handful of tickets for the 4pm show on Sunday 21st December.

If you’ve never had the chance to see Wassail before, now’s your chance. Become part of a packed house where an incredible array of talent will create a wonderful atmosphere and form something really special at Christmas.

Oh, and if that’s not enough, there’s free mince pies and mulled wine too!

Oh yes they did!

Several members of The Crescent Theatre were on hand today (Friday, 5 December) to add a little theatrical pizzazz to the Publicity Association of Central England (PACE) Christmas Lunch at the Burlington Hotel.

The theme for this year’s lunch was pantomime and The Crescent was happy to dress up and mingle with guests as they arrived. Pictured are Guy Radcliffe and Mary Fielding.

George and Lennie: A Love Story

I realised the true power of ‘Of Mice and Men’ the first time I taught the novel to a (usually) disinterested class of Year 11 students. I got my first hint that something was up when the previously monosyllabic, ‘tough guy’ of the class arrived on time (!) for my lesson, took his coat off without being asked, sat down and  asked, with affected nonchalance, ‘We reading that book again today Miss?’. Kids began to initiate discussions about the story and ask interesting questions. It was a revelation. Then there was the long silence that settled over the group after we had read the section where George shoots Lennie, as several streetwise 15 year olds discreetly wiped away a tear.

It’s a special story. It’s also a pretty simple one and at its heart is the relationship between George and Lennie. It’s a love story; not in any sexual sense but in the sense that love is the only real explanation for their actions in the story.

‘If we had any ketchup you could have it. And if I had a hundred bucks I’d buy you a bunch of flowers.’ (George)

George would dearly like to create a home for Lennie where he could be safe and where George wouldn’t constantly be watching out for him. There is genuine affection and companionship between them and that provides an antidote to the loneliness that afflicts so many of the other characters in the play. There are constant references to how unusual it is for two guys to travel around together for work. Their unconventional friendship provokes a variety of responses from the other characters; suspicion (Curley and the Boss), envy (Crooks and to an extent Candy), acceptance (Slim) and indifference (Carlson and Whit).

There are clear parallels between Lennie and George and Candy and his ‘ole dog’. Nobody else can really understand what is ‘in’ these two relationships for Candy or George. Rather than familiarity breeding contempt, in both cases it is the longevity of the relationships and the being ‘used to’ the smelly old dog or the simple giant, that breeds deep affection and a desire to protect.

‘I kinda got used to him and then I couldn’t get rid of being used to him’ (George) ‘I had him from a pup…I wouldn’t want him to suffer.’ (Candy, as Carlson is trying to persuade him to shoot his dog)

Just as Candy loses his only real companion, his dog, George loses Lennie when he must kill him to protect him from a worse fate at the hands of a lynch mob. Ultimately, George cannot keep Lennie safe from himself.

Now that the show is cast (including the dog!), the actors and I are are beginning to explore these relationships. Now matter how many times I hear, read or watch this story, it never fails to move me. I think what makes it so brilliant (and so beloved of adolescents in English classrooms everywhere) is that you can strip away the context of the American Dream and the Great Depression and all that ‘stuff’ and there is just a cracking human interest story underneath.