Auditions listed below for:


Please check back regularly for updates

Want to be involved but don’t want to act? There’s always plenty to do backstage – see our membership page for details.

Non-members are welcome but please read the notes on this page.

Membership Commitment – as part of your membership we expect all members to support the theatre by assisting with our Front of House Operations when the theatre is open for performances by either Stewarding, working on the Bar or Coffee Bar. We term this as a “Duty” and members are expected to do ten “Duties” per membership year.

New Members will be asked to do three duties before the run of any production they are cast in. Existing members should ensure that they have fulfilled their quota of duties before auditioning or they may not be considered for a production. All members should do a minimum of three duties within a four month period.

The Crescent Theatre is committed to the promotion of equal opportunities within the theatre, and affiliated projects, through the way we manage the venue and provide services to the community. No person should experience discrimination or lack of opportunities on the grounds of gender, race, religion, age, sexual orientation or disability. In the provision of services and in regards to the membership and visiting companies, the Crescent Theatre is committed to promoting equal opportunities for everyone.

Please note

While auditions are intended for members, non-members are welcome to attend on the understanding that, if successful in reading for a part, you would be expected to become a member of the theatre. This entitles you to take part in all theatre activities and to concessionary ticket prices. In return you will be expected to attend all rehearsals and performances and to undertake your required allocation of front of house duties. Your membership subscription must be paid by the end of the second rehearsal. Membership fees for a year are £60 (£25 if unwaged). More details on Crescent Membership can be found in the membership pages.

Unless stated otherwise, the venue for all readings and auditions is the Crescent Theatre.

The Revlon Girl

by Neil Anthony Docking

Production Dates: Sat 27th Feb – Sat 6th March, Ron Barber Studio

Director: Liz Plumpton

Set eight months following the Aberfan Disaster of 196 (in which 144 people were killed; 116 of them children) The Revlon Girl is based on the real life story of a group of bereaved mothers who met every week above a local hotel to talk, cry and even laugh without feeling guilty. At one of their meetings, the women looked at each other and admitted how much they’d let themselves go. So afraid that people would think them frivolous, they secretly arranged for a representative from Revlon to come and give them a talk on beauty tips.

I’m looking for 5 strong performers for this powerful, character-driven piece. Ages below are a guide only but Sian and Revlon need to appear younger than the other 3 characters. Sian, Marilyn, Rona and Jean all need to speak with a Welsh accent. We will get some expert help with perfecting these but I will need to hear your best shot in the audition if you’re going for one of these roles.



Sian – Playing age 25-30. Welsh. Instigator of the evening’s event and desperate for it to go well. Bright, hopeful and eager to help.

Revlon – Playing age 20-30. English. Smart, well-groomed, well-bred, trusting.

Marilyn – Playing age 30-45. Welsh. Introverted, tense, fearful of change. Though outwardly simple, she is very focused.

Rona – Playing age 30-45. Welsh. Fiery, foul-mouthed and indomitable. She finds strength in rage, rejects authority and is easily set alight.

Jean – Playing age 30-45. Welsh. Stately, conservative and sociable. The wife of a respected church minister, she regards herself as a pillar of the community.



There will be two opportunities to audition in person at the theatre. Click Here for the audition pieces. Please prepare the speech for the character/s you would like to read for but you do not need to learn the words. At the audition, I will also ask you to read a dialogue scene.

Please complete an audition form via the link below and I will contact you with a timeslot on your chosen day. In order to reduce numbers and ensure social distancing, you will need to stick to your allocated timeslot.



Rehearsals will start on Friday 18th December and will be on the following dates:

Fri 18th, Sun 20th Dec

Sun 3rd, Thurs 7th, Fri 8th, Sun 10th, Thurs 14th, Friday 15th, Sun 17th, Thurs 21st, Fri 22nd, Sun 24th, Thurs 28th, Fri 29th, Sun 31st Jan

Thurs 4th, Fri 5th, Sun 7th, Thurs 11th, Fri 12th, Sun 14th, Thurs 18th, Fri 19th, Sun 21st Feb

Sunday rehearsals will be 14.00 – 18.00. You will also need to be available throughout tech week, which starts on Monday 22nd Feb.

Rehearsals will be socially distanced and strict protocols will be in place, which all cast and crew are required to abide by. These include hand sanitising, face coverings and various restrictions on handling of props and costumes as well as a ban on mingling during rehearsals.

If you have any issues with the Google form, you are unable to attend either audition, or you have another question about the production, please contact me:


Liz Plumpton